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A major change from the former series, this piece was visibly and intentionally divided into two sides, the left being solely a product of the left hand, and vice versa for the right, creating a male figure and a female figure respectively. Sias, a pianist, found the result breathtaking because of his belief that his two hands play as man and woman, and equal companions of the soul; this directly translates to the hybridization of musical techniques in his brushwork. He believes there must be a balance between the two, and sometimes there are periods of time where one side dominates.